Category Archives: Customs

Bowd Slasher

For hundreds of years the Peace Egg or Pace Egg play was a common part of the Easter festivities in Lancashire with bands of disguised mummers going from house to house presenting their play.

Gradually what was once an adult tradition became one enacted by children often gaining more in donations than their parents could earn in the wool and cotton industries.

Below is an contemporary observation of one of these performances by the Lancashire dialect writer John Trafford Clegg (Th’ Owd Weighver)

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The Britannia Coconut Dancers

From the town of Bacup with blackened faces and unusual costumes comes a unique folk dance troup. The team dances several garland dances once common as part of rushbearing festivals around the area, but also a “nut dance” of which they now seem to be the sole surviving example.

The Britannia Coco-nut Dancers, a folk dance troupe from Bacup in Lancashire, England.

Photo by Kezka Dantza Taldea Eibar

Whilst the clogs shirt and britches are traditional Lancashire, the white and red hooped skirt and white hat/turban seem more exotic in origin.

While Morris Dancing is rumoured to have been derived from the dances of the Moors, the African tribe that conquered large parts of Spain, Portugal and Southern France. The tradition danced by the Britannia dancers seems to have a more definite link. It is rumoured to have been taught to Cornish tin miners by Moors who came to this country and found employment in the mines. When the work in Cornwall became scarce during the 18th & 19th centuries some of the Cornish miners came to the North-West to work in the mines and quarries and brought the tradition with them.

Tunstead Mill Nutters 1907

Tunstead Mill Nutters 1907

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The Pace Egg Play

Children”Pace Egging” in Hebden Bridge.

The Pace Egg Plays are traditional village plays, with a rebirth theme, in which St George smites all challengers and the fool, Toss Pot, rejoices. The drama takes the form of a combat between the hero and villain, in which the hero is killed and brought to life, often by a quack doctor.

The plays take place in England during Easter; indeed, the word ‘Pace’ comes from the old English word ‘pasch’ literally meaning ‘Easter’, but have also been known to have been performed at other religious celebrations such as Christmas.

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Tim Bobbin’ Grave

Self Portrait

Self portrait of John Collier (Tim Bobbin)

I stoode beside Tim Bobbin’ grave
‘At looks o’er Ratchda’ teawn;
An’ th’ owd lad ‘woke within his yerth,
An’ sed, “Wheer arto’ beawn?”

“Awm gooin’ into th’ Packer-street,
As far as th’ Gowden Bell;
To taste o’ Daniel’s Kesmus ale.”
TIM.—”I cud like o saup mysel’.”

“An’ by this hont o’ my reet arm,
If fro’ that hole theaw’ll reawk,
Theaw’st have o saup o’th’ best breawn ale
‘At ever lips did seawk.”

The greawnd it sturr’d beneath my feet,
An’ then I yerd o groan;
He shook the dust fro’ off his skull,
An’ rowlt away the stone.

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Abbots Bromley Horn Dance

On Wakes Monday (the first Monday between the 6th and 12th of September) the small village of Abbots Bromley in Staffordshire is host to a unique Horn Dance. (Details of the event can be found here)

Abbots Bromley Horn Dance

The dancers start the procession at St. Nicholas Church.

The”horns” are six sets of antlers attacked to wooden skulls, three black and three white (although it is notable that Cecil Sharp referred to the black horns as being painted blue and an account from 1686 says they are red.) The horns themselves have been carbon dated to the early 11th century. These horns are on display in St Nicholas Church for the rest of the year, a replica set being used any other time the dance is performed.

The six “Deer-men” are accompanied by a musician playing an accordion, Maid Marian (played by a man), the hobby-horse, a jester or fool, a child with a bow and arrow and another with a triangle. Until the end of the 19th century the dancers were all members of the Bentley family, before the dance was passed to the related Fowell family.

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