Category Archives: Lancashire

Bowd Slasher

For hundreds of years the Peace Egg or Pace Egg play was a common part of the Easter festivities in Lancashire with bands of disguised mummers going from house to house presenting their play.

Gradually what was once an adult tradition became one enacted by children often gaining more in donations than their parents could earn in the wool and cotton industries.

Below is an contemporary observation of one of these performances by the Lancashire dialect writer John Trafford Clegg (Th’ Owd Weighver)

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Robin Hood and the Monstone

The Monstone Looking towards Blackstone Edge

Blackstone Edge on the horizon

From “In Olden Days” by Rev. G. R. Oakley, M.A., B.D.,

The glorious beauty of an early autumn morning, the sweet scent of the wide-stretching moorland, the invigorating breeze from the east sweeping over the hills, the occasional calls of the birds or the flutter of their wings, all combined (as they still combine) to make life seem more than usually joyous on a certain day in the year 1247, when a company of men might have been seen assembled on that part of Blackstone Edge which we now call “Robin Hood’s Bed.”

Robin Hood's Bed

Robin Hood’s Bed

Stalwart fine fellows were they, clothed in well-fitting tunics of the fashion of the day, and of a colour so like that of grass that one could readily understand how easily the owners might lie in ambush in some parts of the country—in forest lands, for instance—were they so disposed.

There were at least a hundred men, and every man was armed, most of them with that splendid English weapon, the long-bow, which in later days gained Crecy and Poictiers and Agincourt, and the use of which Bishop Latimer (in 1549) described as “a godly art, a wholesome kind of exercise, and much commended in physic.” Many of them, however, carried quarter-staves—tough poles of wood some seven feet long, shod at each end with iron, and which, when grasped in the hands of athletic men and twirled with practised skill, became terrible weapons, one blow from which usually terminated a combat.

These archers and others—all clad in the costume of Lincoln green already described—made a striking picture as they stood in a semi-circle listening intently to the words of the man who stood upon one of those great stones which still mark “Robin Hood’s Bed.”

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The Britannia Coconut Dancers

From the town of Bacup with blackened faces and unusual costumes comes a unique folk dance troup. The team dances several garland dances once common as part of rushbearing festivals around the area, but also a “nut dance” of which they now seem to be the sole surviving example.

The Britannia Coco-nut Dancers, a folk dance troupe from Bacup in Lancashire, England.

Photo by Kezka Dantza Taldea Eibar

Whilst the clogs shirt and britches are traditional Lancashire, the white and red hooped skirt and white hat/turban seem more exotic in origin.

While Morris Dancing is rumoured to have been derived from the dances of the Moors, the African tribe that conquered large parts of Spain, Portugal and Southern France. The tradition danced by the Britannia dancers seems to have a more definite link. It is rumoured to have been taught to Cornish tin miners by Moors who came to this country and found employment in the mines. When the work in Cornwall became scarce during the 18th & 19th centuries some of the Cornish miners came to the North-West to work in the mines and quarries and brought the tradition with them.

Tunstead Mill Nutters 1907

Tunstead Mill Nutters 1907

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The Pace Egg Play

Children”Pace Egging” in Hebden Bridge.

The Pace Egg Plays are traditional village plays, with a rebirth theme, in which St George smites all challengers and the fool, Toss Pot, rejoices. The drama takes the form of a combat between the hero and villain, in which the hero is killed and brought to life, often by a quack doctor.

The plays take place in England during Easter; indeed, the word ‘Pace’ comes from the old English word ‘pasch’ literally meaning ‘Easter’, but have also been known to have been performed at other religious celebrations such as Christmas.

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Tim Bobbin’ Grave

Self Portrait

Self portrait of John Collier (Tim Bobbin)

I stoode beside Tim Bobbin’ grave
‘At looks o’er Ratchda’ teawn;
An’ th’ owd lad ‘woke within his yerth,
An’ sed, “Wheer arto’ beawn?”

“Awm gooin’ into th’ Packer-street,
As far as th’ Gowden Bell;
To taste o’ Daniel’s Kesmus ale.”
TIM.—”I cud like o saup mysel’.”

“An’ by this hont o’ my reet arm,
If fro’ that hole theaw’ll reawk,
Theaw’st have o saup o’th’ best breawn ale
‘At ever lips did seawk.”

The greawnd it sturr’d beneath my feet,
An’ then I yerd o groan;
He shook the dust fro’ off his skull,
An’ rowlt away the stone.

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Rochdale Town Hall Fire

 

Rochdale Town Hall before the fire

Rochdale Town Hall prior to the fire of 1883

Rochdale Town Hall, is a fine example of gothic revival architecture and home to some of the best modern stained glass in the world. The grandeur of this building was such that according to local legend, Hitler had plans to take the building stone by stone back to Germany if he won the war. This is also supposedly the reason why Rochdale, despite it’s industry, escaped pretty much unscathed during the German bombings.

A competition was held to produce a design for the building which was won by William Henry Crossland. Work started in 1866 on the site of an abandoned 17th Century mansion and was completed five years later at a cost of £160,000 (eight times the original budget, and a remarkable sum for a town the size of Rochdale.) the work was so costly that to this day some of the internal decoration remains unfinished.

But what visitors to the town may not know is that the building you see today is different from the original.

The original clock tower was 134 feet high and had a 106 foot wooden spire richly gilded and surmounted by figures of Saint George and the Dragon.

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